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Flawed Genius - The Show

What's it about?

A tortuous and glorious tale of love and longing, Flawed Genius is about that part of us all who would like to take on the world and win. It's where the truly extraordinary meets the downright mediocre in a blaze of ineffectual glory.

Bursting with passion, unrequited love and burning ambition, our flawed hero literally explodes onto the stage, desperate to prove something...but he’s not quite sure what. Extracting the battered paraphernalia of his life from the equally battered old piano which he drags with him, he takes us on a whirlwind tour of love, loss, frustration and triumph, via piano lessons, latin lessons, science lessons, tragic tales of stuffed birds and flown girlfriends.

Flawed Genius is a classic clown piece with a dark twist, exposing the most human of weaknesses and vulnerabilities. Directed by Sue Morrison, it embodies her trademark style, combining emotional intensity and honesty with a quirky post-modern absurdity and improvised interaction with audience that makes every show a unique and remarkable experience.

History

The show was created between 2002 and 2004, when Barnaby was living in Leeds, England. It was developed through many hours of improvisation and collaboration with director Sue Morrison, during which the themes and structure of the show slowly emerged. Many many hours and pages of material ended up on the cutting room floor as the script was pared down to its essence: the story of someone who desparately wants to be wonderful, the best, but always sabotages his own great efforts. He literally drags his baggage around with him in the form of a full-sized piano - a technical marvel created by set designer Russell Dean - that looks and sounds like a real piano but is actually a hollow shell with an electronic keyboard built in.

In 2004 the show premiered at the Workshop Theater in Leeds, and from there Barnaby hauled his piano onto an aeroplane and flew straight to Canada where he toured the fringe festivals during the summer of that year: Toronto, Thunder Bay, Winnipeg, Edmonton, Vancouver. He even managed to get in a few shows in Portland, Oregon.

During 2005/06, the piano returned to the UK, and the show toured to small theatres, village halls, community centres, the length and breadth of the country.

In 2007, Barnaby toured the show in South America, performing at Mapa Teatro in Colombia, in Manizales, Medellin, and the Festiclaun festival in Chiclayo, Peru. Although this is nominally the same show, it was significantly adapted for the Spanish-speaking audience. As well as being in Spanish, the show also took on a different aesthetic, as Barnaby replaced his full-sized piano with a miniature toy piano that was a little easier to transport.

Since then, living in the USA, the show has been seen in venues across the country: New York Clown Festival, Minneapolis, Iowa, and Boulder Fringe Festivals, Someday Lounge and Theater Theater! in Portland.

 
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Press Quotes

...a joyous journey of hilarious philosophical life lessons that will undoubtedly leave Fringe-goers grabbing their guts in laughter... Whether clownery is your thing or not, go and see this show.

Jeffrey McCants
Minneapolis Star Tribune

Aug 07

Though King courts chaos in the form of audience interaction, he continually turns it into improvised comic gold. As clowns go, Barnaby King is very, very funny.

Marty Hughley
The Oregonian May 07

A masterful piece of clowning....Never has self-loathing and cosmic ennui been so entertaining and oddly moving...a thinking person's clown for the new millennium.

Among other attractions, King is a skilled and agile performer who could teach a fringe workshop on how to seamlessly integrate audience participation into a smart narrative.

Alan Kellog
Edmonton Journal, Aug 04

King's tragicomic emoting is fantastic, like Hugh Grant coming down off a bad mushroom high.

Steve Tilley
Edmonton Sun, Aug 04

Tragic clown and pianist Barnaby King clings to despair even as he struggles to rise above mediocrity in this riveting one-man show.

Winnipeg Free Press
July 04

Wrenchingly funny...a riveting piece of theatre. We'd call it pure genius.

Charlie Chaplin meets Norma Desmond in clown prince Barnaby King's excruciatingly intense portrayal of a tragically repressed Englishman who yearns to break lose from his suffocating psychological bonds.

It's a story of lost love, luxuriant despair and a desperate desire to rise above one's own mediocrity and inbred inertia.

Pat St Germain
Winnipeg Sun, July 04

 

 
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